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<span style="font-size:14px;">The Gothic is a highly adapted and adaptive genre/mode. Like the practice of adaptation, the gothic is often dismissed as a formulaic and derivative form. The book listed below are major studies of the gothic, its generic conventions, history, and evolution.</span> |
<span style="font-size:14px;">The Gothic is a highly adapted and adaptive genre/mode. Like the practice of adaptation, the gothic is often dismissed as a formulaic and derivative form. The book listed below are major studies of the gothic, its generic conventions, history, and evolution.</span> |
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| − | *[http://adaptations.wikia.com/wiki/Book_Review_of_The_Madwoman_in_the_Attic Sandra Glibert and Susan Gubar, The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Imagination (1979) ] |
+ | *[http://adaptations.wikia.com/wiki/Book_Review_of_The_Madwoman_in_the_Attic Sandra Glibert and Susan Gubar, ''The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Imagination'' (1979) ] |
| − | *[http://adaptations.wikia.com/wiki/Skin_Shows:_Gothic_Horror_and_the_Technology_of_Monstrosity J. Halberstam, Skin Shows: Gothic Horror and the Technology of Monsters (1995)] |
+ | *[http://adaptations.wikia.com/wiki/Skin_Shows:_Gothic_Horror_and_the_Technology_of_Monstrosity J. Halberstam, ''Skin Shows: Gothic Horror and the Technology of Monsters'' (1995)] |
| − | *[http://adaptations.wikia.com/wiki/Diane_Hoeveler%27s_Gothic_Feminism:_The_Professionalization_of_Gender_from_Charlotte_Smith_to_the_Bront%C3%ABs. Diane Long Hoeveler, Gothic Feminism: The Professionalization of Gender from Charlotte Smith to the Brontës (2007)] |
+ | *[http://adaptations.wikia.com/wiki/Diane_Hoeveler%27s_Gothic_Feminism:_The_Professionalization_of_Gender_from_Charlotte_Smith_to_the_Bront%C3%ABs. Diane Long Hoeveler, ''Gothic Feminism: The Professionalization of Gender from Charlotte Smith to the Brontës'' (2007)] |
*[http://adaptations.wikia.com/wiki/Gothic_Riffs:_A_Europe_Torn_Between_Two_Lovers Diane Long Hoeveler, ''Gothic Riffs: Secularizing the Uncanny in the European Imaginary, 1780-1820'' (2010)] |
*[http://adaptations.wikia.com/wiki/Gothic_Riffs:_A_Europe_Torn_Between_Two_Lovers Diane Long Hoeveler, ''Gothic Riffs: Secularizing the Uncanny in the European Imaginary, 1780-1820'' (2010)] |
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| − | *[http://adaptations.wikia.com/wiki/Anne_Williams,_Art_of_Darkness:_A_Poetics_of_Gothic_(1995) Anne Williams, Art of Darkness: A Poetics of Gothic (1995)] |
+ | *[http://adaptations.wikia.com/wiki/Anne_Williams,_Art_of_Darkness:_A_Poetics_of_Gothic_(1995) Anne Williams, ''Art of Darkness: A Poetics of Gothic'' (1995)] |
Revision as of 20:36, 22 April 2015
The Gothic is a highly adapted and adaptive genre/mode. Like the practice of adaptation, the gothic is often dismissed as a formulaic and derivative form. The book listed below are major studies of the gothic, its generic conventions, history, and evolution.
- Sandra Glibert and Susan Gubar, The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Imagination (1979)
- J. Halberstam, Skin Shows: Gothic Horror and the Technology of Monsters (1995)
- Diane Long Hoeveler, Gothic Feminism: The Professionalization of Gender from Charlotte Smith to the Brontës (2007)
- Diane Long Hoeveler, Gothic Riffs: Secularizing the Uncanny in the European Imaginary, 1780-1820 (2010)
- Anne Williams, Art of Darkness: A Poetics of Gothic (1995)